Partitions Numériques de What I Did for Love pour Orchestre de chambre

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What I Did for Love
Non classifié 54

Piano & claviers
Piano seul 31
Piano, Voix et Guitare 27
Piano, Voix 13
Piano Facile 7
Instruments en Do 4

Piano grosses notes 2
1 Piano, 4 mains 1
Piano (partie séparée) 1
Piano Trio: piano, violon, violoncelle 1

+ 4 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 9
Guitare notes et tablatures 6
Paroles et Accords 1
Guitare (partie séparée) 1
Guitare 1

Voix
Chorale SATB 17
Chorale TTBB 9
Chorale 3 parties 6
Chorale 2 parties 4
Chorale SSAA 3

Voix duo 3
Voix seule 2
Voix Soprano, Piano 1
Chorale SSATTB 1
Voix haute 1

+ 5 instrumentations

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Vents
Saxophone (partie séparée) 11
Quatuor de Saxophones: 4 saxophones 5
Flûte traversière 4
Saxophone Tenor et Piano 4
Saxophone Alto 3

Flûte, Hautbois, Clarinette, Basson 3
Saxophone Soprano et Piano 3
Saxophone Tenor 3
Clarinette 3
Saxophone Baryton, Piano 2
Saxophone Alto et Piano 2
Ensemble de Flûtes 2
Hautbois, Piano (duo) 1
Flûte et Guitare 1
Ensemble de Clarinettes 1
3 Clarinettes (trio) 1
Saxophone 1
Quatuor de Clarinettes: 4 clarinettes 1
Clarinette et Piano 1
Clarinette, Violoncelle, Piano (trio) 1
Quatuor de Flûtes : 4 flûtes 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte traversière et Piano 1
Quintette de Saxophone: 5 saxophones 1
Ensemble De Flûte à bec 1

+ 20 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Trombone (partie séparée) 4
Trompette (partie séparée) 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trombone 2

Cor 2
Trompette 2
Trombone et Piano 1
Trompette, Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 5 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon 3
Violoncelle 2
Alto seul 2
Piano Trio: Violon, Alto, Piano 2

Trio à Cordes: violon, alto, violoncelle 2
Harpe, Voix 2
Harpe 1
Violon et Piano 1
Contrebasse (partie séparée) 1
Alto, Piano 1

+ 6 instrumentations

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Percussions & orchestre
Ensemble Jazz 6
Orchestre 3
Jazz combo 3
Orchestre d'harmonie 3
Ensemble de cuivres 1

Batterie 1
Orchestre à Cordes 1
Orchestre de chambre 1

Cloches 1

+ 4 instrumentations

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What I Did for Love

Orchestre de chambre

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Variations on a Rossini Theme op.Posth

Variations on a Rossini Theme op.Posth #Orchestre de chambre #Classique #Frederik FranÃ§ois Chopin #James Strauss #Variations on a Rossini Theme #James Strauss #SheetMusicPlus

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 p...(+)

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

$29.99 ≈ 27.99€

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